At his first convention, he sold his first two flutes and was commissioned to make Emanuel Flute #3 for Gian-Luca Petrucci of Rome. ![]() You know it is there when you see the Emanuel Flute and try it.Įncouraged by mentors Emerson DeFord, Jack Moore, Edward Almeida and Dick Jerome, he introduced Emanuel Flute #1 in 1991 at the National Flute Association’s convention in Washington, D.C. It is both a craftsmanship quality and unique sound characteristics that draw your attention. In times of trends that last the span of a digital post, nothing is more modern and fascinating than the utter classicism that matches form and function, adding liberal doses of invention. It happens because innovation at Emanuel Flutes is based on human skills and progressive creativity, not on innovation for innovation’s sake. The innovative urge driving Emanuel Flutes is so burning and authentic, it translates right away into a new form of classicism in the flute making mastery. These instruments intended to make practice easier and performance more beautiful. They merge the highest flights of elegant beauty and invention with the awareness that a flute or a headjoint have an artistic value, helping each Flute Artist to discover his/her unique voice, which is never plain or dull. ![]() Today’s Emanuel Flutes and headjoints are played by some of the world’s greatest flutists.Īrtistry is what makes Emanuel Flutes so special. ![]() A maverick in flute-making, Emanuel has been building instruments for 30 years.
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